Maureen King Fitzgerald (@relarks) sent us these amazing photos of the Split-Rocker installation from her offices in 30 Rock! Thanks Maureen!
Happy birthday to Alexander Calder! Here are images from our 2007 exhibition Alexander Calder in New York. The show featured five large sculptures (he preferred to call them “stabiles”) in City Hall Park along with one of his largest mobiles in the City Hall rotunda.
All photos credit: Tom Powel
Courtesy: © 2006 Estate of Alexander Calder / Artists Rights Society (ARS), New York
Congratulations to We The People artist Danh Vo on being selected to represent Denmark at the next Venice Biennale! Via GalleristNY: http://bit.ly/1o91ySD
Photo: Heinz Peter Knes
45 years after the Stonewall Riots, we reflect by looking back at Felix Gonzalez-Torres’ Untitled (Billboard Poster), created for the twentieth anniversary of the civil uprising.
Gonzalez-Torres calls his billboard “a visual reference, an architectural sign of being, a monument for a community that has been ‘historically invisible.’” The work operates on an abstract level, yet the dates are keys to a complex content. The white date lines activate the viewer’s historical knowledge and may stimulate various responses, which the observer “projects” onto the empty black space. Read more at PublicArtFund.org
After the Dave Chappelle show last night I got the chance to stop and see Jeff Koons Split Rocker installation at Rockefeller Center. This flick I took doesn’t even do it justice. Make sure you guys go and check it out before it’s gone.
We couldn’t agree more! Split-Rocker, now on view view through September 12.
Split-Rocker is ready for the public and it’ll be blooming all summer long!
Images from the press conference this morning.
1 - The artist himself, Jeff Koons
2 - Our Director & Chief Curator, Nicholas Baume, gagosiangallery's Larry Gagosian, Jeff Koons
3 - Jeff Koons, Jerry Speyer, Larry Gagosian, Nicholas Baume
4 - PAF President Susan K Freedman, Nicholas Baume, Larry Gagosian, Jeff Koons, Jerry Speyer, PAF Board Chair Jill Kraus
5 - Jeff Koons, Jerry Speyer, Larry Gagosian, Nicholas Baume
Matt Lauer and Jeff Koons preview Split-Rocker on the Today Show this morning. Opens tomorrow!!
Nice Shot! Split-Rocker opening in just a couple of days…
Split-Rocker coming together. Just one week until the pony/dino combo opens officially opens!
We’re so excited to bring (along with gagosiangallery and Tishman Speyer) Jeff Koons’ Split-Rocker (second row) to NYC for the first time! Opens in just over a week at Rockefeller Center,
"The job of the artist is to make a gesture and really show people what their potential is. It’s not about the object, and it’s not about the image; it’s about the viewer. That’s where the art happens." —Jeff Koons
In a new previously unpublished 2009 interview with Jeff Koons, the artist speaks about his relationship with art, his 2008 exhibition at the Château de Versailles, and misrepresentations of his work.
READ: Jeff Koons: Art Changes Every Day
IMAGES: Installation views of Jeff Koons: Versailles at Château de Versailles, France, 2008. Production stills from the Art in the Twenty-First Century Season 5 episode, Fantasy, 2009. © Art21, Inc. 2009.
Happy Father’s Day to all the dads out there!
image: Chris Burden, What My Dad Gave Me, 2008
"I have always wanted to build a model skyscraper using Erector parts. [This] model skyscraper, built from a toy and 65 feet in height, takes on the dimensions of a full-sized building. The circle of actual buildings inspiring a toy in 1909, which is then used to build a model skyscraper the size of an actual building in 2008, is a beautiful metamorphosis." —Chris Burden
We’re so excited for this!
John von Schmid, sculpture manager of the Jeff Koons studio, demonstrates how a part of the sculpture “Play-Doh” (1994–2014) will get through the front door of the Whitney for its Koons retrospective.
CreditBy Jeff Koons on Publish DateJune 11, 2014
Danh Vo’s garden at We The People, City Hall Park portion.
Read more about this green element of the exhibition and how it was influenced by the artist’s interest in botany and colonialism at PublicArtFund.org